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Tuesday, October 13, 2026
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Dance Luminary Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet ambiance of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's posture is naturally upright, his arms muscular beneath a plain tee. On stage, dancers can seem like mighty deities, yet often in person they are small. This is not true for Ball, whose tall stature is part of his demand for heroic characters and partnering. Possessing delicate traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the crest of a career that has progressed smoothly. Raised in Liverpool, he faced minimal ridicule for his early passion in ballet. Joining the esteemed training institution at 11, he moved straight into the troupe and was advanced annually, reaching the top rank of lead dancer in 2018. He has relished taking on substantial dramatic roles, especially the psychological angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a mental fatigue."

Ball's next starring appearance is as himself, in an "In Conversation" series aiming to offer behind-the-scenes insights into a dancer's craft. He will guide the audience through a part, showing his mental workflow while performance. Even in lighter works, the test is profound. "Don Quixote is one of the most demanding from a skill perspective," he states.

The Mental Struggle and Post-Performance Feelings

How does he feel following a performance, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get immersed in the role, quite often I do feel embarrassed later. After an intense role I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Formative Drivers and Creative Influences

His determination stemmed from early setbacks. Not doing well in competitions at school made him "driven!" This became motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

The next challenge is creating his own dance works. For Ball, "organic movement has value." "Challenging the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from literature, compositions, and art.

Close-Up Dance and Personal Dynamic

He also favors staging dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They aren’t typically matched on stage at their home company, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Perception

On Instagram, fans can see clips from his dance films and photos that highlight a athletic physique. Does he mind that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—something that can be interpreted on various levels.

Ball describes his younger self as "eager for success." Has it met his expectations? "I am conscious of how reality is a separate reality to the aspirations you made as a child," he reflects. He likely has another ten years of dancing ahead. "I guess in the future, I want to be a bit more gentle with myself."

The writer

Jonathan Schultz

Music historian and archivist specializing in contemporary pop culture preservation.

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