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Friday, October 16, 2026
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Game Review: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Grimly Amusing Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it leads to a hilariously staged rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in British and Irish theaters from 17 November.

The writer

Jonathan Schultz

Music historian and archivist specializing in contemporary pop culture preservation.

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